Viltrox Air 15mm F1.7 f/1.7 AF Review
The Viltrox 15mm F1.7 packs stellar autofocus and stabilization into a budget wide-angle lens, making it a secret weapon for video shooters.
Overview
The Viltrox 15mm F1.7 is a wide-angle prime lens for Nikon Z cameras. It's got a bright f/1.7 aperture and built-in stabilization, which is a solid combo for the price.
It's designed for low-light shooting and video work. The autofocus is fast and quiet, and the lens is relatively compact at 400 grams.
Performance
This lens is a specialist. Its autofocus lands in the 98th percentile, so it's seriously quick and accurate for a third-party lens. The stabilization is also great, sitting in the 92nd percentile. That makes it a solid choice for handheld video. The optical performance is its weaker point, ranking in the 32nd percentile. You'll get some softness in the corners, especially wide open.
Pros & Cons
Pros
- Strong macro (99th percentile) 98th
- Strong af (98th percentile) 96th
- Strong stabilization (92th percentile) 88th
- Strong aperture (80th percentile) 81th
Cons
- Below average optical (32th percentile) 35th
Specifications
Full Specifications
Optics
| Type | Wide-Angle |
| Focal Length Min | 15 |
| Focal Length Max | 15 |
Aperture
| Max Aperture | f/1.7 |
Build
| Mount | Nikon Z |
| Weight | 0.4 kg / 0.9 lbs |
AF & Stabilization
| AF Type | STM |
| Stabilization | Yes |
Focus
| Min Focus Distance | 15 |
Value & Pricing
At around $239, the value is hard to argue with. You're getting a bright, stabilized wide-angle with pro-level autofocus for less than most name-brand options. The trade-off is in the optical refinement and build, but for the price, it's a compelling package.
vs Competition
Compared to the Viltrox 35mm f/1.7, this 15mm is much wider and has stabilization, but the 35mm is more versatile for general use. Against a zoom like the Panasonic 14-140mm, you lose all that flexibility, but you gain over two stops of light and much better low-light performance. The Meike 55mm F1.8 Pro is sharper, but it's a different focal length and lacks stabilization. This Viltrox 15mm carves its niche with its specific combo of width, speed, and stabilization.
| Spec | Viltrox Air 15mm F1.7 f/1.7 AF | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony | Canon RF Canon RF 24mm f/1.8 Macro IS STM Lens | Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus | Sirui Sniper Sirui Sniper 56mm f/1.2 Autofocus Lens (Sony E, |
|---|---|---|---|---|---|---|
| Focal Length | 15mm | 55mm | 17-70mm | 24mm | - | 56mm |
| Max Aperture | f/1.7 | f/1.4 | f/2.8 | f/1.8 | f/1.4 | f/1.2 |
| Mount | Nikon Z | Nikon Z | Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-M | Canon RF | Fujifilm X | Sony E |
| Stabilization | true | true | true | true | true | true |
| Weather Sealed | false | false | false | false | true | false |
| Weight (g) | 400 | 281 | 544 | 272 | 320 | 422 |
| AF Type | STM | STM | Autofocus | Autofocus | STM | Autofocus |
| Lens Type | Wide-Angle | - | Wide-Angle Zoom | Wide-Angle | - | - |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Viltrox Air 15mm F1.7 f/1.7 AF | 95.6 | 73.6 | 63.4 | 98.2 | 34.6 | 80.5 | 37.5 | 73 | 87.8 |
| Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM Compare | 95.6 | 81.8 | 81.1 | 89.1 | 67.5 | 88.1 | 37.5 | 89.9 | 87.8 |
| Tamron Di III 17-70mm f/2.8 -A VC RXD Compare | 46.4 | 59.2 | 64.3 | 77.4 | 90.8 | 54.6 | 92.5 | 95.1 | 87.8 |
| Canon RF 24mm f/1.8 Macro IS STM Compare | 46.4 | 81.8 | 87.6 | 81 | 82.5 | 75.8 | 37.5 | 98 | 99.9 |
| Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus Standard Prime Compare | 95.6 | 81.8 | 88.8 | 85.3 | 34.6 | 88.1 | 37.5 | 86.7 | 87.8 |
| Sirui Sniper 56mm f/1.2 Autofocus Compare | 46.4 | 96.7 | 73.8 | 53.4 | 79.8 | 95.9 | 37.5 | 98 | 87.8 |
Verdict
Buy this if you shoot a lot of handheld video, vlog, or need a compact wide-angle for low-light situations on a budget. Skip it if you need one lens to do everything, demand tack-sharp corners, or shoot in bad weather regularly.