Tamron Tamron Di III VC Tamron 28-300mm f/4-7.1 Di III VC VXD Lens (Sony Review

The Tamron 28-300mm packs a huge zoom into one lens with excellent sharpness, but its slow aperture means you'll need plenty of light to make it sing.

Focal Length 300mm
Max Aperture f/4
Mount Sony E
Stabilization true
Weather Sealed
Weight G 590
Af Type Autofocus
Lens Type
Tamron Tamron Di III VC Tamron 28-300mm f/4-7.1 Di III VC VXD Lens (Sony lens
63 Overall Score

Overview

So you're looking at a Tamron 28-300mm f/4-7.1 for Sony full-frame cameras. This is a superzoom lens, the kind you slap on your camera and basically never take off if you hate swapping glass. It covers everything from a decently wide 28mm all the way out to a long 300mm telephoto. That's a huge range in one package.

It's built for the photographer who values convenience above all else. Think of it as a travel lens, or a great option for events where you need to be ready for anything—a wide group shot one minute, a tight portrait the next, all without missing a beat. The fact that it's full-frame compatible means it'll work great on cameras like the Sony A7 series.

What makes it interesting is how Tamron packed all that reach into a lens that's surprisingly light at 590 grams. It's not tiny, but for an all-in-one zoom, it's manageable. They've also included their VC stabilization system and a fast VXD linear motor for autofocus, which on paper sounds like a solid combo for a do-it-all lens.

Performance

Let's talk about the numbers. The optical performance sits in the 96th percentile, which is frankly excellent for a superzoom. Usually, lenses that try to do this much sacrifice sharpness, but Tamron seems to have pulled it off here. You can expect crisp images across most of the zoom range. The stabilization is also top-tier, landing in the 90th percentile, meaning you can handhold shots at slower shutter speeds, especially at the long end, and still get sharp results.

Now, the trade-offs show up in other areas. The autofocus performance is just average, sitting at the 48th percentile. It'll be fine for general use and slower-moving subjects, but don't expect it to keep up with fast-paced sports or wildlife action. The aperture is also a weak point, at the 27th percentile. Starting at f/4 at the wide end and dropping to f/7.1 at 300mm means you'll need good light, especially for telephoto shots. Low-light performance and background blur (bokeh) will be limited compared to a prime lens or a faster zoom.

Performance Percentiles

Af 47.6
Bokeh 38.1
Build 54.7
Macro 75.1
Optical 96.2
Aperture 26.8
Versatility 40.2
Stabilization 89.9

Pros & Cons

Pros

  • Optical quality is fantastic for a superzoom, in the 96th percentile for sharpness. 96th
  • VC image stabilization is highly effective, rated in the 90th percentile. 90th
  • Incredibly versatile focal range from 28mm wide-angle to 300mm telephoto in one lens. 75th
  • Relatively lightweight at 590g for a full-frame lens with this much reach.
  • Close focusing ability down to 191mm offers decent macro-like capabilities.

Cons

  • Slow variable aperture (f/4-7.1) struggles in low light and limits background blur. 27th
  • Autofocus speed and accuracy are just average, scoring in the 48th percentile.
  • Not weather-sealed, so you need to be careful in dust or rain.
  • Bokeh quality is below average, rated only in the 38th percentile.
  • The lens is large on the camera compared to a standard prime or kit zoom.

Specifications

Full Specifications

Optics

Focal Length Min 300
Focal Length Max 300
Elements 20
Groups 13

Aperture

Max Aperture f/4
Min Aperture f/22
Diaphragm Blades 9

Build

Mount Sony E
Format Full-Frame
Weight 0.6 kg / 1.3 lbs
Filter Thread 67

AF & Stabilization

AF Type Autofocus
Stabilization Yes

Focus

Min Focus Distance 191
Max Magnification 1:3.8

Value & Pricing

At $699, this lens sits in an interesting spot. You're paying for extreme convenience and surprisingly good optics. Compared to buying separate wide-angle, standard, and telephoto zooms to cover the same range, it's a bargain. However, you are making clear sacrifices in aperture speed and autofocus performance to get that all-in-one package.

When you look at competitors, most in this price range are fast prime lenses, like the Viltrox 35mm f/1.7 or the Meike 55mm f/1.8. Those will give you much better low-light performance and background separation, but zero zoom flexibility. So, the value here is entirely in the 'one lens does it all' proposition. If that's what you need, the price is fair for the optical quality you get.

$699
$699

vs Competition

The most direct competitor is often the camera manufacturer's own superzoom, but Sony doesn't make a direct E-mount equivalent. Your other options are to use an adapter with a DSLR superzoom, which adds bulk and potential performance issues, or to build a multi-lens kit.

Compared to a set of primes like the Viltrox 35mm f/1.7 or the Meike 55mm f/1.8, the Tamron loses in every area except versatility. Those primes are smaller, sharper wide open, much better in low light (f/1.7 vs. f/7.1), and offer beautiful bokeh. But you have to carry and change multiple lenses. Compared to a standard zoom like a 24-70mm f/4, the Tamron gives you way more telephoto reach but gives up a constant, brighter aperture. It's a classic trade-off: ultimate flexibility versus specialized performance.

Verdict

If you're a traveler, a hobbyist, or an event shooter who needs one lens to handle 90% of situations and you prioritize never changing lenses, this Tamron 28-300mm is a fantastic choice. The image quality is shockingly good for what it is, and the stabilization is a lifesaver. Just pack a flash for indoors.

But if you shoot in low light often, crave creamy background blur for portraits, or need snappy autofocus for action, look elsewhere. Build a small kit with a fast prime and a telephoto zoom, or accept carrying two lenses. This lens is a specialist in convenience, and it does that job very well, but it asks you to compromise on light gathering and focus speed to get it.

Deal Tracker

$699
$699