Rokinon Series II 85mm f/1.4 Review
For under $300, the Samyang 85mm f/1.4 gives you incredible portrait bokeh. Just don't expect it to keep up with fast action.
Overview
The Samyang Rokinon 85mm f/1.4 Series II is a classic portrait lens for Canon shooters. It's a simple, fast prime that's all about that beautiful, blurry background. You're getting a full-frame lens with a massive f/1.4 aperture at a price that's hard to ignore.
Performance
This lens is a specialist. Its bokeh quality lands in the 89th percentile, which means your portrait backgrounds will look creamy and smooth. The f/1.4 aperture is fantastic in low light. But the autofocus performance is just average, sitting at the 49th percentile. It's not the fastest or quietest, so it's less ideal for fast-moving subjects or serious video work where silent AF is key.
Pros & Cons
Pros
- Strong bokeh (89th percentile) 91th
- Strong aperture (88th percentile) 88th
Cons
Specifications
Full Specifications
Optics
| Type | Telephoto |
| Focal Length Min | 85 |
| Focal Length Max | 85 |
| Elements | 9 |
| Groups | 7 |
| Coating | Multi-Coated |
Aperture
| Max Aperture | f/1.4 |
| Min Aperture | f/22 |
| Diaphragm Blades | 9 |
Build
| Mount | Canon EF |
| Format | Full-Frame |
| Weather Sealed | Yes |
| Weight | 0.5 kg / 1.2 lbs |
| Filter Thread | 72 |
AF & Stabilization
| Stabilization | No |
Focus
| Min Focus Distance | 1100 |
Value & Pricing
At around $299, this lens is a steal for what it does. You're getting pro-level bokeh and aperture performance for a fraction of the cost of a Canon L-series 85mm. You just have to accept the trade-offs in autofocus and features.
vs Competition
Compared to a zoom like the Panasonic 14-140mm, this lens is the opposite. The Samyang gives you vastly better image quality and background blur at 85mm, but zero versatility. Against other primes, like the Meike 55mm f/1.8, the Samyang offers a longer, more flattering focal length for portraits and a brighter aperture. But the Meike might have faster, quieter autofocus. The Viltrox 35mm f/1.7 is a wider option, better for environmental portraits, but the 85mm focal length is the classic for tight headshots.
| Spec | Rokinon Series II 85mm f/1.4 | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Viltrox Air VILTROX 35mm F1.7 f/1.7 Air AF Lens for Fuji X | Canon RF Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens | Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus | Sirui Sniper Sirui Sniper 56mm f/1.2 Autofocus Lens (Sony E, |
|---|---|---|---|---|---|---|
| Focal Length | 85mm | 55mm | 35mm | 18-150mm | - | 56mm |
| Max Aperture | f/1.4 | f/1.4 | f/1.7 | f/3.5 | f/1.4 | f/1.2 |
| Mount | Canon EF | Nikon Z | Fujifilm X | Canon RF | Fujifilm X | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | true | false | false | false | true | false |
| Weight (g) | 544 | 281 | 400 | 309 | 320 | 422 |
| AF Type | - | STM | STM | Autofocus | STM | Autofocus |
| Lens Type | Telephoto | - | - | Telephoto Zoom | - | - |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Rokinon Series II 85mm f/1.4 | 46.4 | 90.8 | 80 | 47.6 | 74 | 88.1 | 55 | 37.5 | 55.6 | 37.9 |
| Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM Compare | 95.6 | 81.8 | 81.1 | 89.1 | 67.5 | 88.1 | 0 | 37.5 | 89.9 | 87.8 |
| Viltrox Air 35mm F1.7 f/1.7 AF Compare | 95.6 | 73.6 | 63.4 | 93.2 | 74 | 80.5 | 0 | 37.5 | 95.1 | 87.8 |
| Canon RF 18-150mm f/3.5-6.3 IS STM Compare | 46.4 | 35.8 | 85.2 | 79 | 95.9 | 41.1 | 0 | 98 | 98 | 99.8 |
| Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus Standard Prime Compare | 95.6 | 81.8 | 88.8 | 85.3 | 34.6 | 88.1 | 0 | 37.5 | 86.7 | 87.8 |
| Sirui Sniper 56mm f/1.2 Autofocus Compare | 46.4 | 96.7 | 73.8 | 53.4 | 79.8 | 95.9 | 0 | 37.5 | 98 | 87.8 |
Verdict
Buy this if you're a portrait photographer on a budget who values beautiful blur over cutting-edge autofocus. It's perfect for studio work or controlled shoots where you have time to focus. Skip it if you need a walk-around lens, shoot fast action, or rely heavily on video autofocus.