Rokinon Series II 85mm f/1.4 Review
For just $319, the Samyang 85mm f/1.4 delivers bokeh in the 89th percentile, making it a stunning value for portrait photographers on a budget.
Overview
The Samyang Rokinon 85mm f/1.4 Series II is a lens that makes its priorities clear. It's an 85mm prime, which is classic portrait territory, and with an f/1.4 maximum aperture, it lands in the 88th percentile for light-gathering ability. That means you're getting a lot of lens for the $319 asking price, especially when you consider its bokeh quality scores in the 89th percentile. This is a tool built for a specific job: creating beautiful background separation and working in low light.
It's not trying to be everything to everyone. Its versatility score is down in the 37th percentile, and it's not weather-sealed or stabilized. At 540g, it's a solid chunk of glass. But if your goal is portraits, this lens puts some serious optical firepower on the table for a very reasonable sum.
Performance
Let's talk about what this lens does best. That f/1.4 aperture isn't just a number on the box. It puts you in the top 12% of lenses for shooting in dim light and achieving that creamy, out-of-focus background. The bokeh quality backs that up, sitting in the 89th percentile. In practical terms, you can isolate a subject against a busy background and make it just melt away. The optical performance percentile is a solid 61, which is good for the price, though you might see some softness wide open that sharpens up nicely by f/2 or f/2.8.
The trade-offs are in the features. Autofocus performance is right in the middle of the pack at the 49th percentile, so it's competent but not lightning-fast or silent. There's no image stabilization (42nd percentile), so you'll need good technique or a higher shutter speed. And with a minimum focus distance of 1.1 meters, it's not built for close-up work (46th percentile for macro). This is a pure, straightforward optical performer.
Pros & Cons
Pros
- Strong bokeh (89th percentile) 91th
- Strong aperture (88th percentile) 88th
Cons
Specifications
Full Specifications
Optics
| Type | Telephoto |
| Focal Length Min | 85 |
| Focal Length Max | 85 |
| Elements | 9 |
| Groups | 7 |
| Coating | Multi-Coated |
Aperture
| Max Aperture | f/1.4 |
| Min Aperture | f/22 |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | Full-Frame |
| Weather Sealed | Yes |
| Weight | 0.5 kg / 1.2 lbs |
| Filter Thread | 72 |
AF & Stabilization
| Stabilization | No |
Focus
| Min Focus Distance | 1100 |
Value & Pricing
At $319, the value proposition here is hard to ignore. You are getting an 85mm f/1.4 lens, a combination that often costs two or three times this amount from first-party manufacturers like Nikon or Sony. You're paying for the core optics and that glorious aperture, and accepting that you won't get the latest autofocus motors, sealing, or stabilization. For a portrait photographer on a budget, or someone who wants to experiment with this focal length without a huge investment, the price-to-performance ratio is outstanding. You're buying the light, not the bells and whistles.
vs Competition
This lens exists in a crowded space. Compared to a Nikon 85mm f/1.8G, you gain a full stop of light (f/1.4 vs. f/1.8) for similar money, but you likely trade some autofocus speed and accuracy. Against the much more expensive Nikon 85mm f/1.4, you save a fortune but give up pro-grade build and optics. Looking at the listed competitors, they're mostly different beasts. The Viltrox 35mm f/1.7 is a wider prime, better for environmental shots. The Panasonic 14-140mm is a super-zoom for travel, the opposite of this specialist. The Meike 55mm f/1.8 is closer but still a different focal length. The Samyang's real competition is other budget 85mm f/1.4 options, and on pure specs for the dollar, it holds its own very well.
| Spec | Rokinon Series II 85mm f/1.4 | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Viltrox Air VILTROX 35mm F1.7 f/1.7 Air AF Lens for Fuji X | Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony | Canon RF Canon RF 24mm f/1.8 Macro IS STM Lens | Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus |
|---|---|---|---|---|---|---|
| Focal Length | 85mm | 55mm | 35mm | 17-70mm | 24mm | - |
| Max Aperture | f/1.4 | f/1.4 | f/1.7 | f/2.8 | f/1.8 | f/1.4 |
| Mount | Nikon F | Nikon Z | Fujifilm X | Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-M | Canon RF | Fujifilm X |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | true | false | false | false | false | true |
| Weight (g) | 540 | 281 | 400 | 544 | 272 | 320 |
| AF Type | - | STM | STM | Autofocus | Autofocus | STM |
| Lens Type | Telephoto | - | - | Wide-Angle Zoom | Wide-Angle | - |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Rokinon Series II 85mm f/1.4 | 46.4 | 90.8 | 80.2 | 47.6 | 74 | 88.1 | 37.5 | 58.1 | 37.9 |
| Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM Compare | 95.6 | 81.8 | 81.1 | 89.1 | 67.5 | 88.1 | 37.5 | 89.9 | 87.8 |
| Viltrox Air 35mm F1.7 f/1.7 AF Compare | 95.6 | 73.6 | 63.4 | 93.2 | 74 | 80.5 | 37.5 | 95.1 | 87.8 |
| Tamron Di III 17-70mm f/2.8 -A VC RXD Compare | 46.4 | 59.2 | 64.3 | 77.4 | 90.8 | 54.6 | 92.5 | 95.1 | 87.8 |
| Canon RF 24mm f/1.8 Macro IS STM Compare | 46.4 | 81.8 | 87.6 | 81 | 82.5 | 75.8 | 37.5 | 98 | 99.9 |
| Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus Standard Prime Compare | 95.6 | 81.8 | 88.8 | 85.3 | 34.6 | 88.1 | 37.5 | 86.7 | 87.8 |
Verdict
The Samyang Rokinon 85mm f/1.4 Series II is a straightforward recommendation with clear conditions. If you shoot portraits, want beautiful bokeh, need to work in low light, and have a budget around $300, this lens is a fantastic buy. The data backs it up: top-tier scores in aperture and bokeh for a mid-tier price. Just go in knowing its limits. The autofocus is fine, not great. You need to keep it dry. And it's a one-trick pony, but for that one trick—making people look amazing against a soft background—it's a tool that punches well above its weight class.