Best Pick

Viltrox VILTROX 25mm f1.7 E-Mount Large Aperture STM APS-C

100 Street Score
25mm f/1.7 Sony E IS
Why we recommend this

Its f/1.7 aperture with 9 blades produces a notably smooth and artistic bokeh, ideal for subject isolation. The compact 170g design and STM autofocus with eye/face tracking make it highly portable and responsive for dynamic situations. This lens is best for street photographers and run-and-gun videographers who need a fast, lightweight prime for spontaneous shooting.

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Great Alternatives

These options also score highly and may better suit your specific needs

Meike 23mm F1.4 Ultra Wide Angle APS-C Frame Auto

99 Street Score
23mm f/1.4 Sony E IS
Why we recommend this

Its f/1.4 aperture and STM autofocus deliver sharp images with smooth bokeh, even in low light. The optical design with ED and aspherical elements effectively controls aberrations and flare. This lens is best for Sony APS-C shooters who need a fast, wide prime for street photography and detailed macro work.

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Sigma 12mm f/1.4 DC Contemporary Lens (Canon RF)

88.4 Street Score
12mm f/1.4 Canon RF Weather Sealed
Why we recommend this

Its 12mm f/1.4 aperture provides an exceptionally wide and bright field of view, ideal for low-light shooting on APS-C cameras. The lens is notably fast and lightweight for its class, aided by a stepping motor for quiet autofocus. This prime is best for street photographers and portraitists seeking dramatic, close-up perspectives with strong subject isolation.

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Nikon YONGNUO YN50MM F1.8 for Nikon Z Mount, 50mm F1.8Z

87.6 Street Score
50mm f/1.8 Nikon Z IS
Why we recommend this

Its f/1.8 aperture and 7-blade circular aperture produce smooth bokeh and 14-point sunstars, while the compact 134g metal build and stepping motor offer quiet, responsive autofocus. The lens is a lightweight and affordable option for Nikon Z mirrorless cameras, featuring a USB port for firmware updates. It is best for street photographers and videographers who need a fast, portable prime lens for low-light shooting and cinematic depth of field.

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