Olympus M.Zuiko OM-D E-M5 Mark II Kit Review

The Olympus OM-D E-M5 Mark II kit packs a huge zoom range and brilliant stabilization into a tough, tiny body. It's a traveler's dream, but is the older tech a dealbreaker?

Focal Length 150mm
Max Aperture f/4
Mount Micro Four Thirds
Stabilization Yes
Weather Sealed No
Weight 496 g
AF Type SSM
Lens Type Zoom
Olympus M.Zuiko OM-D E-M5 Mark II Kit lens
38 Overall Score

The 30-Second Version

The Olympus OM-D E-M5 Mark II with the 14-150mm lens is a compact, weather-sealed mirrorless camera kit built for travel. Its best-in-class image stabilization and huge zoom range make it a versatile adventurer's tool, though the slower lens limits low-light performance. It's a great value if portability and toughness are your top priorities.

Overview

Looking for a lightweight, weather-sealed mirrorless camera that won't break the bank? The Olympus OM-D E-M5 Mark II kit is a classic Micro Four Thirds option that still holds up. It comes bundled with the M.Zuiko 14-150mm f/4-5.6 zoom lens, giving you a huge 28-300mm equivalent range in a surprisingly compact package. This is a camera built for travel and adventure, with a dust and splash-proof body that feels solid in the hand. While it's not the newest model on the block, its combination of portability, sealing, and a very capable stabilization system makes it a unique find for the right shooter.

Performance

The star of the show here is the 5-axis in-body image stabilization (IBIS). It ranks in the 88th percentile, which means it's one of the best systems available for steady handheld shots. You can shoot at surprisingly slow shutter speeds without a tripod. The autofocus is also a standout, landing in the 99th percentile. It's fast and reliable for general use, though it might not keep up with the latest tracking systems for fast action. The lens itself is about average optically (36th percentile), and the variable f/4-5.6 aperture is a bit slow (30th percentile), so it's not a low-light monster. But for daylight travel and landscapes, it gets the job done with sharp results.

Performance Percentiles

AF 99.1
Bokeh 26.6
Build 52.4
Macro 21.7
Optical 34.6
Aperture 29.7
Versatility 37.5
Stabilization 87.8

Pros & Cons

Pros

  • Excellent 5-axis image stabilization for blur-free handheld shots. 99th
  • Compact and lightweight kit, perfect for travel and hiking. 88th
  • Weather-sealed body and lens combo for shooting in tough conditions.
  • Superb autofocus performance that's fast and accurate.
  • Huge zoom range (28-300mm equivalent) in a single lens.

Cons

  • Lens has a slow, variable aperture (f/4-5.6), limiting low-light performance. 22th
  • Micro Four Thirds sensor is smaller, so image quality lags behind larger sensors in low light. 27th
  • Not the best choice for macro photography (21st percentile). 30th
  • Bokeh and background blur are weaker points (27th percentile). 35th
  • Camera body design is a few generations old now.

The Word on the Street

4.3/5 (498 reviews)
👍 Buyers consistently praise the lightweight, compact design and the convenience of the all-in-one weather-sealed kit.
👍 Many users are impressed with the image stabilization, calling it a game-changer for handheld photography and video.
🤔 While owners love the portability, some note that the lens's variable aperture can be a limitation in dimmer conditions.

Specifications

Full Specifications

Optics

Type Zoom
Focal Length Min 150
Focal Length Max 150

Aperture

Max Aperture f/4

Build

Mount Micro Four Thirds
Weight 0.5 kg / 1.1 lbs

AF & Stabilization

AF Type SSM
Stabilization Yes

Value & Pricing

The value here is all about the complete, sealed kit. You're getting a capable, rugged camera body and a super-zoom lens that covers almost every focal length you'd need for travel, all in one box. For the price of a new mid-range camera body alone from other brands, this gets you a full system ready for adventure. If you prioritize portability and weatherproofing over ultimate image quality, it's a compelling package.

€902

vs Competition

If you're considering this Olympus kit, you're probably looking at other travel-friendly options. A Canon or Sony APS-C camera with an 18-135mm kit lens will give you better low-light performance and bokeh, but you'll sacrifice the compact size and the excellent stabilization. The Panasonic Lumix G series is the direct Micro Four Thirds competitor; models like the GX9 offer similar size and performance, but you'd have to buy a weather-sealed lens separately. For pure image quality, a used Fujifilm X-T30 with a prime lens will run circles around this kit in good light, but you lose the zoom range and sealing.

Spec Olympus M.Zuiko OM-D E-M5 Mark II Kit Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF Viltrox Air VILTROX 35mm F1.7 f/1.7 Air AF Lens for Fuji X Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony Canon RF Canon RF 24mm f/1.8 Macro IS STM Lens Nikon NIKKOR Z Nikon NIKKOR Z 24-70mm f/2.8 S II Lens (Nikon Z)
Focal Length 150mm 55mm 35mm 17-70mm 24mm 24-70mm
Max Aperture f/4 f/1.4 f/1.7 f/2.8 f/1.8 f/2.8
Mount Micro Four Thirds Nikon Z Fujifilm X Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-M Canon RF Nikon Z
Stabilization true true true true true true
Weather Sealed false false false false false true
Weight (g) 496 281 400 544 272 676
AF Type SSM STM STM Autofocus Autofocus Autofocus
Lens Type Zoom - - Wide-Angle Zoom Wide-Angle Wide-Angle Zoom
Compare Compare Compare Compare Compare
Product AfBokehBuildMacroOpticalApertureVersatilityStabilization
Olympus M.Zuiko OM-D E-M5 Mark II Kit 99.126.652.421.734.629.737.587.8
Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM Compare 95.681.881.189.167.588.137.587.8
Viltrox Air 35mm F1.7 f/1.7 AF Compare 95.673.663.493.27480.537.587.8
Tamron Di III 17-70mm f/2.8 -A VC RXD Compare 46.459.264.377.490.854.692.587.8
Canon RF 24mm f/1.8 Macro IS STM Compare 46.481.887.68182.575.837.599.9
Nikon NIKKOR Z 24-70mm f/2.8 S II Compare 46.471.672.172.49754.685.487.8

Common Questions

Q: Is the Olympus E-M5 Mark II good for video?

Yes, its 5-axis stabilization is excellent for handheld video, making footage smooth without a gimbal. However, it lacks some modern video features like 4K 60fps, so it's better for casual filmmakers than serious videographers.

Q: How does the Olympus E-M5 Mark II compare to a Sony A6000?

The Sony A6000 has a larger APS-C sensor for better low-light performance, but the Olympus kit has far superior image stabilization, weather sealing, and a much longer zoom lens. Choose Sony for image quality, Olympus for stabilization and durability.

Q: Is this camera good for wildlife photography?

The 300mm equivalent reach is great for wildlife, and the stabilization helps with handheld shots. However, the slow f/5.6 aperture at the long end and the contrast-detect autofocus might struggle with fast-moving birds or animals in low light.

Q: Can I use other lenses with the Olympus E-M5 Mark II?

Absolutely. It uses the Micro Four Thirds mount, so you have access to hundreds of lenses from Olympus, Panasonic, and third-party brands. Just remember that non-sealed lenses will break the weatherproofing.

Who Should Skip This

Skip this kit if you're a low-light shooter, a portrait photographer obsessed with bokeh, or someone who needs cutting-edge autofocus for sports. The smaller sensor and slow lens aperture hold it back in these areas. Also, if you want the latest video specs, look at newer Panasonic or Sony models. For those use cases, consider a used Fujifilm X-S10 or a Sony A6400 with a fast prime lens instead.

Verdict

So, should you buy the Olympus OM-D E-M5 Mark II kit? If you're a traveler, hiker, or someone who needs a 'grab-and-go' camera that can handle a bit of rain and dust, this is a fantastic, no-fuss option. The stabilization is brilliant, the zoom range is incredibly convenient, and the whole package is light. But if you shoot mostly in low light, crave creamy background blur for portraits, or want the latest video features, you'll feel limited by the slower lens and smaller sensor. This camera is for the practical adventurer, not the pixel-peeping purist.