Nikon Nikon S-Line Nikon NIKKOR Z 24-120mm f/4 S Lens with UV Filter Review
The Nikon Z 24-120mm f/4 S offers pro-level sharpness in a perfectly practical zoom range, but its premium price and f/4 aperture demand a close look before you buy.
Overview
So you're looking at the Nikon Z 24-120mm f/4 S. It's a lens that wants to be your one-lens solution for a full-frame Nikon Z camera. It covers a genuinely useful range, from a decently wide 24mm to a solid telephoto 120mm, all in a package that feels like a proper S-Line lens. That means it's built well, with a control ring and a function button, and it's sharp where it counts.
Who is this for? Honestly, it's a great fit for a photographer who doesn't want to swap lenses constantly. Think of a serious hobbyist, a content creator doing a bit of everything, or even a professional who needs a reliable, high-quality walk-around lens for events or travel. It's not the fastest lens out there at f/4, but the zoom range is its superpower.
What makes it interesting is that it sits in a weird spot. It's more versatile than a standard 24-70mm f/4, but it's not a constant f/2.8 workhorse. It's also significantly more expensive than some third-party options. So the question becomes: is that extra reach and Nikon S-Line quality worth the premium for you?
Performance
Let's talk about the numbers. The optical performance is where this lens truly shines, landing in the 92nd percentile. In plain English, it's sharp. From 24mm to 120mm, the center sharpness is excellent, and the corners hold up really well, especially when you stop down a bit from f/4. You're getting pro-level image quality in a relatively compact zoom.
Now, the other side of the coin. The autofocus is in the 47th percentile, which is just okay. It's not slow, but it's not the lightning-fast silent AF you might get from a prime lens. For still subjects and general use, it's perfectly fine. But if you're trying to track fast-moving wildlife or sports, you might feel it hunting a bit. Also, with no stabilization, you're relying entirely on your camera's in-body image stabilization, which is something to keep in mind for video or low-light handheld shots.
Pros & Cons
Pros
- Exceptional sharpness. The 92nd percentile optical score is no joke; this lens resolves incredible detail across the frame. 98th
- Perfectly practical zoom range. Going from 24mm wide-angle to 120mm short-telephoto covers a huge amount of daily shooting scenarios. 96th
- Solid S-Line build quality. It feels premium, has a programmable control ring, and a lens function button for quick settings. 93th
- Surprisingly capable close-focus. With a 1:2.56 magnification ratio, you can get some nice semi-macro shots of flowers or details.
- Consistent f/4 aperture. While not super fast, it's constant throughout the zoom, so your exposure doesn't change as you frame your shot.
Cons
- The price. At around $997, it's a serious investment, especially when you consider the f/4 maximum aperture. 30th
- Autofocus is just average. It's competent but not class-leading, which might show in fast-paced or low-contrast situations.
- No optical stabilization. For video work or low-light stills, you're dependent on your camera body having good IBIS.
- f/4 aperture limits background blur. The bokeh score is in the 41st percentile, so it won't give you that creamy, isolated look of an f/1.8 prime.
- It's not a lightweight travel champion. At 635g, it has some heft. Combined with a camera body, it's a noticeable kit to carry all day.
Specifications
Full Specifications
Optics
| Type | Standard Zoom |
| Focal Length Min | 24 |
| Focal Length Max | 120 |
| Elements | 16 |
| Groups | 13 |
Aperture
| Max Aperture | f/4 |
| Min Aperture | f/22 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon Z |
| Format | Full-Frame |
| Weight | 0.6 kg / 1.4 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 350 |
| Max Magnification | 1:2.56 |
Value & Pricing
The value proposition here is all about the zoom range and the badge. You're paying a premium for the Nikon S-Line optics and that 24-120mm coverage. Compared to Nikon's own 24-70mm f/4 S, you get a lot more reach for several hundred dollars more. Compared to a third-party lens like a Viltrox or Meike prime, you're paying for versatility over sheer speed.
It's hard to call it a 'value' lens. It's a premium product with a premium price. You're buying into the Nikon ecosystem for top-tier zoom optics. If the 24-120mm range is exactly what you need, and you demand the best sharpness, it's justifiable. If you're on a budget or crave a faster aperture, your money might go further elsewhere.
vs Competition
You've got a few paths here. If you want a similar 'do-it-all' zoom from Nikon, the 24-70mm f/4 S is cheaper and lighter, but you lose that extra 50mm of reach, which is a big deal for portraits or details. The 24-200mm f/4-6.3 is more versatile for travel, but its variable aperture and lower optical performance are clear trade-offs for the smaller size and price.
Then there's the world of fast primes. A lens like the Meike 55mm f/1.8 or a Viltrox 35mm f/1.7 will cost a fraction of the price, give you much better low-light performance and background blur (bokeh), and often faster autofocus. But you lose the flexibility of a zoom. You have to 'zoom with your feet.' For a lot of photographers, carrying two or three fast primes is the alternative to carrying one premium zoom like this 24-120mm.
| Spec | Nikon Nikon S-Line Nikon NIKKOR Z 24-120mm f/4 S Lens with UV Filter | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Viltrox VILTROX 25mm F1.7 f/1.7 AF Lens for Fuji X Mount, | Canon Canon RF 24mm f/1.8 Macro IS STM Lens | Nikon Nikon S-Line Nikon NIKKOR Z 24-70mm f/2.8 S II Lens (Nikon Z) | Tamron Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony |
|---|---|---|---|---|---|---|
| Focal Length | 24-120mm | 55mm | 25mm | 24mm | 24-70mm | 17-70mm |
| Max Aperture | f/4 | f/1.4 | f/1.7 | f/1.8 | f/2.8 | f/2.8 |
| Mount | Nikon Z | Nikon Z | Fujifilm X | Canon RF | Nikon Z | Sony E Mount |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | false | false | false | true | false |
| Weight (g) | 630 | 281 | 400 | 269 | 676 | 544 |
| AF Type | Autofocus | STM | STM | Autofocus | Autofocus | Autofocus |
| Lens Type | Standard Zoom | - | - | Zoom | Zoom | Zoom |
Verdict
So, who should buy the Nikon Z 24-120mm f/4 S? If you're a Nikon Z shooter who values image quality above all else and you want one lens to live on your camera for travel, events, or everyday photography, this is arguably the best zoom in its class. The sharpness is fantastic, and the range is incredibly useful. It's a 'set it and forget it' lens for high-quality results.
But, think twice if you're on a tight budget, if you shoot a lot in very low light and need f/2.8 or faster, or if you absolutely need silky-smooth background separation for portraits. In those cases, a combination of a standard zoom and a fast prime, or just investing in a few excellent third-party primes, will likely serve you better for the same or less money. This lens is a specialist in being a generalist, and it does that job brilliantly for those who can afford it.