Sigma Sigma Art Sigma 28-105mm f/2.8 DG DN Art Lens (L-Mount) Review
Sigma's 28-105mm f/2.8 is the ultimate convenience lens for L-mount, but you pay for it with mediocre build and no stabilization.
Overview
Sigma's 28-105mm F2.8 DG DN is a lens that tries to do a lot. It gives you a wide to short-telephoto zoom range with a constant bright aperture, all in one package. That's a big deal for L-mount shooters who want one lens for most situations, from landscapes to portraits.
Performance
The versatility score here is the star, sitting in the 91st percentile. That means it covers a lot of ground without you needing to swap lenses. But you're making trade-offs for that convenience. The build quality is in the bottom 6th percentile, and it lacks any image stabilization. The autofocus and optical performance are just middle-of-the-pack, and forget about close-up shots with that 17th percentile macro score.
Pros & Cons
Pros
- Strong versatility (91th percentile) 95th
Cons
- Below average build (6th percentile) 17th
- Below average macro (17th percentile)
- Below average optical (34th percentile)
Specifications
Full Specifications
Optics
| Type | Telephoto Zoom |
| Focal Length Min | 105 |
| Focal Length Max | 105 |
| Elements | 18 |
| Groups | 13 |
Aperture
| Max Aperture | f/2.8 |
| Min Aperture | f/22 |
| Constant | Yes |
| Diaphragm Blades | 12 |
Build
| Mount | L-Mount |
| Format | Full-Frame |
| Weight | 1.0 kg / 2.2 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 401 |
| Max Magnification | 1:3.1 |
Value & Pricing
At $1649, this lens asks a lot. You're paying for the engineering feat of a constant f/2.8 zoom over this range. But you're not getting premium build, stabilization, or close-focus ability. It's a niche tool. If that specific zoom range with that aperture is exactly what you need, it might be worth it. For most people, it's a tough sell.
vs Competition
This lens doesn't have a direct competitor in L-mount, which is its main advantage. But look at what you give up. A combo like the Nikon Z 35mm f/1.8 S and an 85mm prime would cost less, be sharper, have better build, and give you way better low-light performance with those wider apertures. The Viltrox 35mm f/1.7 is a fraction of the price and sharper for portraits, but you lose the zoom flexibility. This Sigma is all about that one-lens convenience, and you pay a premium for it in both cash and performance compromises.
| Spec | Sigma Sigma Art Sigma 28-105mm f/2.8 DG DN Art Lens (L-Mount) | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Viltrox VILTROX 25mm F1.7 f/1.7 AF Lens for Fuji X Mount, | Canon Canon RF 24mm f/1.8 Macro IS STM Lens | Nikon Nikon S-Line Nikon NIKKOR Z 24-70mm f/2.8 S II Lens (Nikon Z) | Tamron Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony |
|---|---|---|---|---|---|---|
| Focal Length | 105mm | 55mm | 25mm | 24mm | 24-70mm | 17-70mm |
| Max Aperture | f/2.8 | f/1.4 | f/1.7 | f/1.8 | f/2.8 | f/2.8 |
| Mount | L-Mount | Nikon Z | Fujifilm X | Canon RF | Nikon Z | Sony E Mount |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | false | false | false | true | false |
| Weight (g) | 998 | 281 | 400 | 269 | 676 | 544 |
| AF Type | Autofocus | STM | STM | Autofocus | Autofocus | Autofocus |
| Lens Type | Telephoto Zoom | - | - | Zoom | Zoom | Zoom |
Verdict
Buy this only if you're an L-mount shooter who absolutely must have a 28-105mm f/2.8 lens and you're willing to accept average optics and no stabilization. For portrait specialists, a fast prime is a better choice. For video, the lack of stabilization is a deal-breaker. It's a solution for a very specific problem.