Tamron Di III 24mm F/2.8 OSD M1:2 Review
The Tamron 24mm f/2.8 is a basic, compact prime lens that gets the job done without fuss or high cost. Just don't ask it to do anything fancy.
Overview
The Tamron 24mm f/2.8 is a compact, no-frills prime lens for Sony E-mount cameras. It's a simple, lightweight option for everyday shooting.
It's not trying to be a superstar. This lens is about being small, affordable, and decently sharp. Think of it as a solid walk-around lens you don't have to baby.
Performance
Optical performance is solidly in the middle of the pack. It's sharp enough for most uses, and the f/2.8 aperture is fine for general photography. But the autofocus is just okay, ranking in the 48th percentile, and there's no stabilization. It's not a low-light monster, and it's definitely not a macro lens, scoring a low 20th percentile there.
Pros & Cons
Pros
- Strong build (67th percentile) 90th
- Strong optical (67th percentile) 88th
Cons
- Below average macro (20th percentile)
Specifications
Full Specifications
Optics
| Type | Wide-Angle |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 10 |
| Groups | 9 |
| Coating | Fluorine Coating for protection and safe cleaning |
Aperture
| Max Aperture | f/2.8 |
| Diaphragm Blades | 7 |
Build
| Mount | Sony (E mount for NEX) |
| Weather Sealed | No |
| Weight | 0.2 kg / 0.5 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 64 |
Value & Pricing
If you can find it around its typical $200 price, it's a fair deal. You're getting a competent, well-built prime lens without spending a lot. Just don't expect any special features or exceptional performance. It's a basic tool that gets the job done.
Price History
vs Competition
Compared to the Viltrox 35mm f/1.7, you lose a full stop of light and that nice portrait focal length, but you gain a wider 24mm field of view. The Sony 24-240mm superzoom offers massive versatility and stabilization, but it's bigger, heavier, and optically softer. The Meike 55mm f/1.8 Pro gives you much better low-light and portrait potential. This Tamron's main appeal is its compact size and price in the wide-angle space.
| Spec | Tamron Di III 24mm F/2.8 OSD M1:2 | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Viltrox Air VILTROX 35mm F1.7 f/1.7 Air AF Lens for Fuji X | Canon RF Canon RF 24mm f/1.8 Macro IS STM Lens | Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus | Sirui Sniper Sirui Sniper 56mm f/1.2 Autofocus Lens (Sony E, |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 55mm | 35mm | 24mm | - | 56mm |
| Max Aperture | f/2.8 | f/1.4 | f/1.7 | f/1.8 | f/1.4 | f/1.2 |
| Mount | Sony (E mount for NEX) | Nikon Z | Fujifilm X | Canon RF | Fujifilm X | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | false | false | false | true | false |
| Weight (g) | 227 | 281 | 400 | 272 | 320 | 422 |
| AF Type | Autofocus | STM | STM | Autofocus | STM | Autofocus |
| Lens Type | Wide-Angle | - | - | Wide-Angle | - | - |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Tamron Di III 24mm F/2.8 OSD M1:2 | 46.4 | 48.4 | 90.4 | 87.6 | 79.8 | 54.6 | 37.5 | 86.7 | 37.9 |
| Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM Compare | 95.6 | 81.8 | 81.1 | 89.1 | 67.5 | 88.1 | 37.5 | 89.9 | 87.8 |
| Viltrox Air 35mm F1.7 f/1.7 AF Compare | 95.6 | 73.6 | 63.4 | 93.2 | 74 | 80.5 | 37.5 | 95.1 | 87.8 |
| Canon RF 24mm f/1.8 Macro IS STM Compare | 46.4 | 81.8 | 87.6 | 81 | 82.5 | 75.8 | 37.5 | 98 | 99.9 |
| Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus Standard Prime Compare | 95.6 | 81.8 | 88.8 | 85.3 | 34.6 | 88.1 | 37.5 | 86.7 | 87.8 |
| Sirui Sniper 56mm f/1.2 Autofocus Compare | 46.4 | 96.7 | 73.8 | 53.4 | 79.8 | 95.9 | 37.5 | 98 | 87.8 |
Verdict
Buy this if you want a small, affordable, and reliable wide-angle prime for your Sony camera. It's perfect for travel, street photography, or as a lightweight kit addition. Skip it if you need fast autofocus, shoot in low light often, or want to do any close-up work.