Canon Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for Review

The Mitakon 50mm f/0.95 creates stunning, creamy bokeh for a fraction of the cost of other f/0.95 lenses. Just be ready for manual focus and surprisingly cheap build quality.

Focal Length 50mm
Max Aperture f/0.95
Mount Canon EF
Stabilization No
Weather Sealed No
Weight 1497 g
Canon Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for lens
46.6 Pontuação Geral

Overview

This lens has one job: to make your photos look like a dream. With an f/0.95 aperture, it's basically a light vacuum cleaner, sucking in every photon it can find to create that impossibly shallow depth of field and creamy bokeh. But you need to know going in that it's a manual focus beast, it weighs a ton, and it's built like a toy from a cereal box. This isn't your everyday walk-around lens. It's a special effects filter you screw onto your camera.

Performance

The bokeh is the star here, and it absolutely delivers, ranking in the 99th percentile. The out-of-focus areas are smooth and beautiful, just what you want for portraits. But the optical performance is surprisingly average at the 69th percentile. You get some softness and chromatic aberration wide open, which is expected, but it sharpens up nicely when you stop down a bit. The real surprise is the build quality, which lands in the 8th percentile. For a lens this heavy and expensive-feeling, the plastic construction and loose focus ring don't inspire confidence.

Performance Percentiles

AF 46.2
Bokeh 99.1
Build 11.2
Macro 50.3
Optical 74
Aperture 98.9
Versatility 37.3
Social Proof 15
Stabilization 37.5

Pros & Cons

Pros

  • The f/0.95 aperture creates stunning, dreamy bokeh that's hard to beat. 99th
  • Excellent value for the sheer amount of light it gathers compared to name-brand f/0.95 lenses. 99th
  • Sharpens up decently when stopped down to around f/2 or f/2.8. 74th
  • The 11-blade diaphragm keeps bokeh balls looking round even when stopped down.

Cons

  • The build quality feels cheap and plasticky, which is disappointing for a 3.3-pound lens. 11th
  • Manual focus only, and the focus throw is long and a bit stiff, making precise focus tricky. 15th
  • It's huge, heavy (1497g), and unbalanced on most camera bodies.
  • Optical flaws like softness and color fringing are very noticeable at f/0.95.

Specifications

Full Specifications

Optics

Focal Length Min 50
Focal Length Max 50
Elements 12
Groups 6

Aperture

Max Aperture f/0.95
Min Aperture f/16
Diaphragm Blades 11

Build

Mount Canon EF
Format Full-Frame
Weight 1.5 kg / 3.3 lbs
Filter Thread 82

AF & Stabilization

Stabilization No

Focus

Min Focus Distance 650
Max Magnification 1:10

Value & Pricing

At $479, it's a steal if you're chasing that f/0.95 look. Comparable lenses from brands like Voigtländer or Mitakon's own higher-end versions cost three to four times as much. You're paying for the glass formula, not the build. If you can live with the quirks, the image payoff is worth the price.

CA$ 657

vs Competition

Don't compare this to autofocus lenses like the Meike 55mm f/1.8. That's a different tool. For a similar manual, character-rich experience, look at the 7Artisans 50mm f/0.95, which is smaller and cheaper but often has more optical issues. The real trade-off is against a used Voigtländer 50mm f/1.2. You'll lose a bit of light but gain sublime build quality, smoother focus, and often better optics for a similar price. The Speedmaster is for the budget bokeh hunter; the Voigtländer is for the tactile experience.

Verdict

Buy this lens if you're a portrait shooter or a videographer who lives for that creamy, cinematic look and doesn't mind manual focus. It's a one-trick pony, but it does that trick incredibly well for the money. Skip it if you need autofocus, weather sealing, or a lens you can take traveling. It's a studio and controlled-environment specialist, not an all-rounder.