Canon Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for Review
The Mitakon 50mm f/0.95 creates stunning, creamy bokeh for a fraction of the cost of other f/0.95 lenses. Just be ready for manual focus and surprisingly cheap build quality.
Overview
This lens has one job: to make your photos look like a dream. With an f/0.95 aperture, it's basically a light vacuum cleaner, sucking in every photon it can find to create that impossibly shallow depth of field and creamy bokeh. But you need to know going in that it's a manual focus beast, it weighs a ton, and it's built like a toy from a cereal box. This isn't your everyday walk-around lens. It's a special effects filter you screw onto your camera.
Performance
The bokeh is the star here, and it absolutely delivers, ranking in the 99th percentile. The out-of-focus areas are smooth and beautiful, just what you want for portraits. But the optical performance is surprisingly average at the 69th percentile. You get some softness and chromatic aberration wide open, which is expected, but it sharpens up nicely when you stop down a bit. The real surprise is the build quality, which lands in the 8th percentile. For a lens this heavy and expensive-feeling, the plastic construction and loose focus ring don't inspire confidence.
Pros & Cons
Pros
- The f/0.95 aperture creates stunning, dreamy bokeh that's hard to beat. 99th
- Excellent value for the sheer amount of light it gathers compared to name-brand f/0.95 lenses. 99th
- Sharpens up decently when stopped down to around f/2 or f/2.8. 74th
- The 11-blade diaphragm keeps bokeh balls looking round even when stopped down.
Cons
- The build quality feels cheap and plasticky, which is disappointing for a 3.3-pound lens. 11th
- Manual focus only, and the focus throw is long and a bit stiff, making precise focus tricky. 15th
- It's huge, heavy (1497g), and unbalanced on most camera bodies.
- Optical flaws like softness and color fringing are very noticeable at f/0.95.
Specifications
Full Specifications
Optics
| Focal Length Min | 50 |
| Focal Length Max | 50 |
| Elements | 12 |
| Groups | 6 |
Aperture
| Max Aperture | f/0.95 |
| Min Aperture | f/16 |
| Diaphragm Blades | 11 |
Build
| Mount | Canon EF |
| Format | Full-Frame |
| Weight | 1.5 kg / 3.3 lbs |
| Filter Thread | 82 |
AF & Stabilization
| Stabilization | No |
Focus
| Min Focus Distance | 650 |
| Max Magnification | 1:10 |
Value & Pricing
At $479, it's a steal if you're chasing that f/0.95 look. Comparable lenses from brands like Voigtländer or Mitakon's own higher-end versions cost three to four times as much. You're paying for the glass formula, not the build. If you can live with the quirks, the image payoff is worth the price.
vs Competition
Don't compare this to autofocus lenses like the Meike 55mm f/1.8. That's a different tool. For a similar manual, character-rich experience, look at the 7Artisans 50mm f/0.95, which is smaller and cheaper but often has more optical issues. The real trade-off is against a used Voigtländer 50mm f/1.2. You'll lose a bit of light but gain sublime build quality, smoother focus, and often better optics for a similar price. The Speedmaster is for the budget bokeh hunter; the Voigtländer is for the tactile experience.
| Spec | Canon Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Sony Sony G Master Sony FE 35mm F1.4 GM Full-Frame Large-Aperture | Canon Canon L Canon - RF35mm F1.4 L VCM Wide-Angle Lens for EOS | Viltrox VILTROX 35mm F1.7 f/1.7 Air AF Lens for Fuji X | Nikon Nikon S-Line Nikon - NIKKOR Z 24-70mm f/2.8 S II Wide-angle |
|---|---|---|---|---|---|---|
| Focal Length | 50mm | 55mm | 35mm | 35mm | 35mm | 24-70mm |
| Max Aperture | f/0.95 | f/1.4 | f/1.4 | f/1.4 | f/1.7 | f/2.8 |
| Mount | Canon EF | Nikon Z | Sony E-Mount, Sony E-Mount (Full-Frame) | Canon RF | Fujifilm X | Nikon Z |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | false | true | true | false | true |
| Weight (g) | 1497 | 281 | 522 | 544 | 400 | 676 |
| AF Type | - | STM | Autofocus | Autofocus | STM | Autofocus |
| Lens Type | - | - | Wide-Angle | Wide-Angle | - | Wide-Angle Zoom |
| Compare | Compare | Compare | Compare | Compare |
Verdict
Buy this lens if you're a portrait shooter or a videographer who lives for that creamy, cinematic look and doesn't mind manual focus. It's a one-trick pony, but it does that trick incredibly well for the money. Skip it if you need autofocus, weather sealing, or a lens you can take traveling. It's a studio and controlled-environment specialist, not an all-rounder.