Samyang Rokinon Xeen 35mm T/1.5 Pro Cine Lens (for Video Review
The Samyang Xeen 35mm is built like a pro cine lens with a long focus throw and geared rings. But with no autofocus and average optics, it's only for a very specific shooter.
Overview
The Samyang Rokinon Xeen 35mm T/1.5 is a dedicated cine lens built for video shooters. It's got the aluminum body, long focus throw, and unified gear rings you'd expect from a pro tool. But it's also a very specific piece of kit, and it's not trying to be anything else.
Performance
As a pure cinema lens, its performance is about the mechanics. The 200-degree focus throw is smooth and precise, which is great for pulling focus manually. The optical quality lands in the 33rd percentile, so it's decent but not class-leading. And there's no autofocus or stabilization, so you're doing all the work yourself.
Pros & Cons
Pros
Cons
- Below average macro (19th percentile) 21th
- Below average bokeh (28th percentile) 27th
- Below average aperture (29th percentile) 30th
- Below average optical (33th percentile) 30th
Specifications
Full Specifications
Optics
| Focal Length Min | 35 |
| Focal Length Max | 35 |
Build
| Mount | Canon EF |
Value & Pricing
At around $1300, this lens isn't cheap. You're paying for the cine-specific features like the geared rings and long throw. If you need those features for a proper video rig, it's a solid budget-friendly option in the cine world. But if you're a hybrid shooter or just want a sharp 35mm for photos, this is terrible value for money.
Price History
vs Competition
Compared to a stills lens like the Viltrox 35mm f/1.7, the Xeen is in a different universe. The Viltrox has autofocus and costs a fraction of the price, but it lacks geared rings and that long focus throw. Against a true cinema zoom like the Panasonic 14-140mm, you lose all flexibility for that single focal length's specific look and mechanics. The Meike 55mm Pro is closer as a budget cine prime, but it has AF and a different focal length. This Xeen is for builders of dedicated manual cine rigs, not generalists.
| Spec | Samyang Rokinon Xeen 35mm T/1.5 Pro Cine Lens (for Video | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Nikon Nikon S-Line Nikon NIKKOR Z 24-70mm f/2.8 S II Lens (Nikon Z) | Canon Canon RF 24mm f/1.8 Macro IS STM Lens | Tamron Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony | Sirui Sirui Sniper 56mm f/1.2 Autofocus Lens (Sony E, |
|---|---|---|---|---|---|---|
| Focal Length | 35mm | 55mm | 24-70mm | 24mm | 17-70mm | 56mm |
| Max Aperture | - | f/1.4 | f/2.8 | f/1.8 | f/2.8 | f/1.2 |
| Mount | Canon EF | Nikon Z | Nikon Z | Canon RF | Sony E Mount | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | false | true | false | false | false |
| Weight (g) | - | 281 | 676 | 269 | 544 | 422 |
| AF Type | - | STM | Autofocus | Autofocus | Autofocus | Autofocus |
| Lens Type | - | - | Zoom | Zoom | Zoom | - |
Verdict
Buy this lens if you're building out a dedicated manual-focus cinema kit and you specifically need a 35mm T1.5 prime with proper gears. Do not buy this if you need autofocus, shoot photos, want a versatile walk-around lens, or are on any kind of tight budget. It's a specialized tool for a specific job.